More than a Woman is a film that is brutally honest, brutally funny, and absolutely essential to the modern woman’s life.
How to Be a Woman returns with a “funny neo-feminist manifesto,” she reflects on parenting, middle age, marriage, existential crises—and of course, subjectivity. feminism.
A decade ago, Caitlin Moran exploded with her instant bestseller, How to Be a Woman, a hilarious and resonant tale of feminism, patriarchy and all things related to women. Moran has followed her from her horrible 13th birthday through her teenage years, work, strip clubs, love and more. The prelude to the genre of feminist memoirs confessing irreverence continues to occupy an important place in the cultural landscape.

More Than a Woman picks up where Caitlin Moran’s wildly popular How to Be a Woman left off. Moran is a mother of two feminist girls both thriving and struggling with adolescence. She analyzes her daughter’s destructive eating disorder, her own aging body, touches on the COVID-19 pandemic, and how far feminism has come along with the resulting criticism and backlash. Moran does all this with the wit and humor she has become known for.
The greatest criticism I have heard of Caitlin Moran is that her brand of feminism lacks intersectionality. More Than a Woman is her first book that I have read through the lens of that criticism. I acknowledge that she only briefly touches on intersectional topics. I would like to give her grace because the book is about herself and if she does not identify with other intersections then it is not her story to tell. With that said, I enjoyed More Than a Woman. I identified with many of her observations. I would recommend it to feminists, both good, bad, and aging.

• More than a Woman

• By: Caitlin Moran
• Narrated by: Caitlin Moran

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